There is a small class of events within the gospels that are treated in a special manner by iconographers. This special treatment reflects the language of Scripture as well. In the icons of the Transfiguration, Pascha and the Ascension, there is a particular artistic device used called a Mandorla. Sometimes circular, sometimes almost star-shaped, it serves as something of a “parenthesis” within an icon. What is being set in the parenthesis is an event which somehow transcends what most of us think of as normal. Revealed in the context of a mandorla is that which we know by the revelation of Scripture but which might not have been witnessed by the human eye – or – if witnessed – somehow transcended the normal bounds of vision.
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